Worhaug’s work exposes the balance between highbrow and lowbrow aesthetic standards. Utilizing specific analog and digital equipment, Worhaug's work is able to borrow from industry standard aesthetics such as colour, content, and technique, therein functioning to mediate ideas concerning corporate identity and ancient symbolism. He is then able to see the physical practice of traditional painting through a tech-supported lens.

Utilizing the semiotics of digital tools such as “Selection Tool: Drag”, “Rulers and Page Guide”, and “Fitting: Fit Content Proportionally” Worhaug is able to see the physical practice of traditional painting through digital technology. By applying the tools listed above with his own hand, and by negating the computer as a device, he is able to use these tools as a framework of thought rather than an operation of technology. These visual traces left behind on the paintings can be seen as moments of progress and time stamps – a sort of digital ephemerality which have been embedded within the layers of paint.